How digital images differ from analog images.
"They exist as mathematical data which
can be displayed in a variety of modes --
sacrificing color, spatial or temporal
resolution."
How older technology is slowly overcome by new
technology.
"Traditional film editing and optical printing are being replaced by digital editing and image processing which blur the lines between production and post-production, between shooting and editing....Thus, film may soon disappear --
but not cinema."
Even when an old technology becomes insufficient,
it still finds new roles and value.
"digital imaging promises to completely replace the techniques of filmmaking, it at the same time finds new roles and brings new value to the cinematic apparatus, the classic films, and the photographic look. This is the first paradox of digital imaging.
How degradation differs between the two.
"in reality, there is actually much more degradation and loss of information between copies of digital images than between copies of traditional photographs. A single digital image consists of millions of pixels. All of this data requires considerable storage space in a computer; it also takes a long time (in contrast to a text file) to transmit over a network. Because of this, the current software and hardware used to acquire, store, manipulate, and transmit digital images uniformly rely on lossy compression -- the technique of making image files smaller by deleting some information."
Difference in information
"There is an indefinite amount of information in a continuous-tone photograph, so enlargement usually reveals more detail but yields a fuzzier and grainier picture... A digital image, on the other hand, has precisely limited spatial and tonal resolution and contains a fixed amount of information."
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